For Immediate Release
March 20, 2013
Media Contact: Katie Rosin / Kampfire PR
917-562-5670 / [email protected]

the cell: A Twenty First Century Salon™

Proudly Presents the World Premiere of

PETER/WENDY

Adapted and Directed by

JEREMY BLOOM

from “Peter and Wendy” and “A Little White Bird”

by J.M. BARRIE

 

MAY 30 – JUNE 22

the cell, NYC

the cell: A Twenty First Century Salon™, Founding Artistic Director Nancy Manocherian, and Artistic Director Kira Simring, are pleased to announce the world premiere production of PETER/WENDY adapted and directed by Jeremy Bloom from J.M. Barrie’s “Peter Pan and Wendy” and “The Little White Bird” and scored by the indie band, The Books. PETER/WENDY will play a limited engagement utilizing the unique multi-level, indoor and outdoor space of the cell (338 W. 23rd St NYC). Performances begin Thursday, May 30 and continue through Saturday, June 22. Opening Night is Saturday, June 1 (8 p.m.). Press are invited to all performances starting Thursday, May 30th. Tickets are available at www.thecelltheatre.org

“Do you know why I come here, Wendy?  I come here to hear stories,” declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter/Wendy, a new adaptation of the fanciful childhood tale.

Conceived and directed by Jeremy Bloom (Leaves of Grass at the cell), a protégé of Tony Award winning Mary Zimmerman (Metamorphoses & The White Snake), the plight of Peter takes on new life in an anxiety-ridden, deadly adventurous world of love, fairy dust and twilight.  The pajama-clad performers, an exuberant ensemble of lost boys, pirates, fairies, and mermaids, explore familiar text compiled from the J.M. Barrie novels, “Peter Pan and Wendy” and “The Little White Bird.”  Featuring Bloom’s signature low-tech, inventive image staging, Peter/Wendy reveals the nuances of Neverland.  



"While researching Barrie’s novels for a different play," said Bloom, "I was struck by how deeply exhilarating and dark the text is on a psychological level, beyond the animatronic and animated portrayals of the story we grew up watching."

Press from the 2009 workshop production at Soho Rep's Walkerspace:

“For a story that seems likely to be dependent on elaborate effects—Flying! Pirate ships! Mermaids!—Peter/Wendy does a remarkable job of creating its atmosphere with the barest-bones of tools: no theatrical lighting, only table lamps and garden floodlights; all the performers in pajamas; a few pieces of fabric, two chairs, and a slatted window blind for a set. Its commitment to the purest elements of theatre is refreshing, and commendable.”

-nytheatre.com



“Some real magic. There were pirates, lost boys, fairies, and people flying all accomplished with practically no set in J.M.Barrie's Peter~Wendy. This type of work is often tried in Indie theatre, but frankly comes off looking cheap and under-developed in most instances. In this case however, very little was used to make something extraordinary. It takes a certain kind of magic to make that happen and the man behind the curtain who we should be paying attention to is a young theatrical alchemist by the name of Jeremy Bloom.”

-offoffbroadway.com

Video highlights from the workshop production: http://bit.ly/PeterWendyYouTube

A photo from the workshop production is here: http://bit.ly/PeterWendyPhotos

About the cell: A Twenty First Century Salon™

Since its inception in 2006, the cell: A Twenty 1st Century Salon™ (Nancy Manocherian, Founding Director; Kira Simring, Artistic Director) has been, and continues to be, an incubator for creative projects.  Through its strong commitment to cultivate undiscovered artists, the cell has created residencies for diverse groups including the Tandem Reading Series, Center for Contemporary Opera and The Blackboard Reading Series. the cell is located in the heart of Chelsea, New York City.  For more information, please visit www.thecelltheatre.org.

About director Jeremy Bloom

Jeremy is the artistic director of RADY&BLOOM Collective Playmaking, whose accolades include residencies at the Ice Factory Festival and the IRT Theater, and grants from the Manhattan Community Arts Fund (made possible by the New York State Department of Cultural Affairs). Favorite credits include LEAVES OF GRASS (NUDE) previously at the cell. Jeremy is a Drama League Directing Fellow, EST Resident Director, Soho Rep Lab Director, and participated in the TS Eliot US/UK Exchange at The Old Vic. Jeremy is Artistic Executive at Evenstar Films and an adjunct faculty member at Montclair State University Department of Theater. www.radyandbloom.com.

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For Immediate Release
March 6, 2013
Media Contact: Katie Rosin / Kampfire PR
917-562-5670 / [email protected]

humRumbleROAR Productions

Proudly Presents the World Premiere of

2010 GLAAD Award Winning playwright of She Like Girls

“Ms. Hutchinson, who has a sharp ear for dialogue…gets many things right…shows clearly the web of prejudice and hostility woven by peers and parents.” – New York Times, She Like Girls

“The rare important play that counts as a joy to watch.” – Flavorpill, She Like Girls

ALONDRA WAS HERE

How many wrongs does it take to make a right?

Written by

CHISA HUTCHINSON

Directed by JADE KING CARROLL

LIMITED ENGAGEMENT

MAY 4 – 18, 2013 AT THE WILD PROJECT

OPENING NIGHT IS WEDNESDAY, MAY 8 AT 7 P.M.


TICKETS ON SALE NOW AT THEWILDPROJECT.COM

humRumbleROAR Productions is pleased to announce the world premiere production of Chisa Hutchinson’s ALONDRA WAS HERE, directed by Jade King Carroll. ALONDRA WAS HERE will play a limited engagement at The Wild Project (195 East 3rd Street, NYC). Performances begin Saturday, May 4 and continue through Saturday, May 18. Opening Night is Wednesday, May 8 (7 p.m.). Press are invited Saturday May 4 at 2 p.m. and 7 p.m. and Sunday May 5 at 2 p.m, and Tuesday May 7.

Sisters Alondra and Anise have had enough.  People in their town are disappearing; young women are being brutalized and the perpetrators are rewarded with political power.  So they decide they're going to do something about it—something dangerous and rebellious and probably very stupid, but something nonetheless.  When their plan goes awry, and Alondra disappears, Anise is left to drift in a veritable ocean of guilt and indecision.

Until, that is, she meets Dusty, a suggestible nice guy whom she prods into doing increasingly violent things on her behalf.  Bolstered by her newfound powers of manipulation but haunted by the ghost of her sister, Anise must decide: should she push Dusty to commit the ultimate subversive act, or should she prove her autonomy by following through by herself?

Through a wild amalgamation of theatre, graffiti and audience participation, ALONDRA WAS HERE tells the story of a young woman who loses her sister—and finds courage—in a brutal police-state.

The production stars Joniece Abbott-Pratt* as Anise, Nicole Aiken* as Drunk Woman/Elvis, Lolita Foster* as Alondra, Rey Lucas* as Dusty, Jared McNeill* as Man1/Boy1, Christopher Myers* as Man3/Drunk Man/Intense Evangelist, and Mike Rosete* as Man2/Boy2. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.

The production produced features scenic design and tech direction by James Hunting, costume design by Becky Bodurtha, and lighting design by Mike Riggs. Christopher Loar is the sound designer and Toni Goldberg is the stage manager.

Alondra Was Here plays the following schedule:

 Tuesday at 7 p.m.

 Wednesdays at 7 p.m.

 Thursdays at 7 p.m.

 Fridays at 8 p.m.

 Saturdays at 2 p.m. and 8 p.m.

 Sundays at 2 p.m.

Tickets are $18 and are now available online at www.thewildproject.com or by calling 1-866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to the performance.

Running Time: 95 minutes

Website: http://www.thewildproject.com/performances/2013-ALONDRA-WAS-HERE.shtml

 

BIOGRAPHIES

 

Chisa Hutchinson (Playwright) (B.A. Vassar College, M.F.A. NYU-Tisch School of the Arts) has been commissioned and presented by such venues as the Lark Play Development Center, Atlantic Theater Company, City Parks’ SummerStage, Working Man’s Clothes, Victory Gardens Theater, Mad Dog Theater Company, The BE Company and Partial Comfort Productions.  Her works, which include She Like Girls (2010 GLAAD Award), Dirt Rich (2010 Lilly Award), Mama’s Gonna Buy You, Sex on Sunday, This Is Not the Play (2012 New York Innovative Theater Award), Tunde’s Trumpet, The Subject, Somebody’s Daughter, and Dead and Breathing, tend to probe social issues and depict folks who don’t ordinarily get to see themselves on stage.  She has been a Dramatists’ Guild Fellow, a resident at the William Inge Center for the Arts, and a New York NeoFuturist.  Currently, Chisa writes for the Blue Man Group, is a Fellow at the Lark Play Development Center, and is working on a film adaptation of her play, The Subject, for an upstart, Australian filmmaker.

Jade King Carroll (Director) directing credits include Lorraine Hansberry’s A Raisin In The Sun, Juilliard Drama; Mat Smart’s Samuel J And K; Amber Kain’s The Summer House; David White’s White Baby, Passage Theatre; Nicole Thompson-Adams’ Black Girl You’ve Been Gentrified, Joe’s Pub at The Public; Ellen McLaughlin’s adaptation of The Persians; Scott Kaiser’s Splittin’ the Raft, People's Light & Theatre; Christina Hamm’s After Adam, Playpenn; Nisherah Green’s Contents of a Book; Sarah McKnight’s Life as a Balloon, McCarter Youth Ink Festival; Chisa Hutchinson’s Sex on Sunday, BE Company at Urban Stages; Zakiyyah Alexander’s The Etymology of Bird, City Parks’ SummerStage; James McManus’ Cherry Smoke, Clockwork Theatre at Theatre Row; Mikyo Reed’s Like Father, Producer's Club; Catherine Filloux’s White Trash, Players Theatre. She has developed works by playwrights such as Kia Corthron, Ruben Santiago-Hudson, Chisa Hutchinson, Joshua Allen, Zakiyyah Alexander, Dominique Morriseau, Sarah Hammond, James McManus, Josh Koenigsberg, Clare Drobot and others culminating with readings and workshops at New York Theatre Workshop, McCarter Theatre, Two River Theatre Company, New Dramatists, Second Stage Theatre, Primary Stages, Playwright’s Realm, Time Warner New Play Festival, 24 Hour Plays, Chocolate Theatre, New Jersey Rep & Joe’s Pub. Jade is currently a TCG New Generations Future Leader Award recipient, through which she is the Artistic Associate at Second Stage Theatre where Carole Rothman is mentoring her in Artistic Direction. In 2010 Jade was presented with the Paul Green Award for Outstanding Emerging Theatre Professional from the National Theatre Conference and The Estate of August Wilson.

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For Immediate Release
March 4, 2013
Media Contact: Katie Rosin / Kampfire PR
917-562-5670 / [email protected]
 
CAT ON MY HEAD PRODUCTIONS
Proudly Presents the World Premiere of

BLEACHED BLONDE BETTY
What would YOU do for love?

Written by TOM KELLY

Original Music by ALLISON LEYTON-BROWN

Directed by DAN PATRICK BRADY

LIMITED ENGAGEMENT
MARCH 14 – 24, 2013 AT THE WORKSHOP THEATER

OPENING NIGHT IS THURSDAY, MARCH 14 AT 8 P.M.

TICKETS ON SALE NOW AT WORKSHOPTHEATER.ORG
 
CAT ON MY HEAD PRODUCTIONS is pleased to announce the world premiere production of Tom Kelly’s BLEACHED BLONDE BETTY, with original music by the award-winning Allison Leyton-Brown and directed by Dan Patrick Brady. BLEACHED BLONDE BETTY play a limited engagement at the Workshop Theater (316 West 35th Street, 4th Fl.). Performances begin Thursday, March 14 and continue until Sunday, March 24. Opening Night is Thursday, March 14 (8 p.m.). Press are invited to all performances.
 
Betty is a writer rapidly going nowhere but to work as a waitress.  Betty likes Sammy, the security guard at the New Modern Museum of Art.  Mystic is Betty’s stripper roommate.  She introduces Betty to her new boyfriend, Bobby.  Betty LOVES Bobby.  Bobby is suddenly interested in Betty.  He suggests to Betty a way for them to realize the life they want:  use Sammy to steal a painting from the Museum.  Along the way they will have to battle the Jersey Mob, a serial killer, an ex-con art thief, and the general chaos of their own conscience.  BLEACHED BLONDE BETTY asks the one major question in life:  what would you do for love? 
 
 
The production stars Karen Stanion (Reasons to Live, Provincetown Theatre) as Betty, Joe Diomede (award-winning actor for the film Sharp Love, Sharp Kittens) as Bobby, Kristen Lazzarini  as Mystic, John Lenartz (Bdwy: Inherit the Wind) as Sammy, Stacy Ann Strang as Anna/Denise, Ryan Lee (Side Man, EST) as Nathaniel, Gregory Kostal as Harold and Richard Kent Green as Frank.
 
The production features scenic and lighting design by Lauren Parrish, and costume design by Lucy Goldberg. Lauren Parrish is the production manager, DeLisa White is the sound designer and Laura Hirschberg is the production stage manager.
 
BLEACHED BLONDE BETTY plays the following regular schedule through Sunday, March 24: 

 Thursdays at 8 p.m. 
 Fridays at 8 p.m. 
 Saturdays at 8 p.m. 
 Sundays at 2 p.m. 
 
There are two additional performances: Tuesday 3/19 at 8 p.m. and Wednesday 3/20 at 8 p.m.

Tickets are 18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance. 

Running Time: 90 minutes, one intermission

Website: workshoptheater.org

BIOGRAPHIES
  
DAN PATRICK BRADY (Director) has never directed a play in his life.  However, he has over 30 years’ experience as a professional actor.  He has worked opposite Kathy Bates, Frances Sternhagen, Phoebe Cates, Bill Pullman, and Bradley Whitford.  His Off-Broadway credits include Women and Football (Vinnie) and Curse of the Starving Class (Wesley).  Among his NYC credits are critically-acclaimed revivals of The Norman Conquests (Norman), Journey of the Fifth Horse (Zoditch), and The Lover (Richard), and new plays Fubar (DC) and Purple Hearts (Spooner).  Regionally his favorite roles have been Ray in Blackbird, Tom Joad in The Grapes of, and the title role in The Elephant Man.  In television and film, Dan enjoyed long-running roles on ABC’s Loving and All My Children, was featured in the TV movie Shoot first: A Cop’s Vengeance, performed in a truly beautiful movie called Paradise Falls, and is appropriately embarrassed by being in more than one dubious horror flick, none of which he will mention.  As a producer he has mounted critically acclaimed productions of The Norman Conquests, Journey of the Fifth Horse and Two Intimate, and evening combining Harold Pinter’s The Lover and Eugene O’Brien’s Eden.

ALLISON LEYTON-BROWN (Composer) is an award-winning composer, pianist, and Musical Director based in New York City. With a passion for composition in a dramatic context, Allison’s scores have been described as cinematic, haunting, and fearlessly imaginative. As a performer, she is equally comfortable behind a keyboard or in front of a band, in literally any style of music. Above all, Allison is passionate about collaboration and loves to work with other musicians and artists from all walks of life.

TOM KELLY (Playwright) has a MFA from the Playwriting program at Brooklyn College. This is his first produced play.  He refuses to divulge any more information.
 
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Listings Information:
Who: Cat on My Head Productions
What: BLEACHED BLONDE BETTY
Where: WorkShop Theater, 312 West 36th Street, 4th Fl
When: March 14-24, 2013
How: www.WorkshopTheater.org

BLEACHED BLONDE BETTY asks the one major question in life:  what would you do for love?