 Mark WIlliam CAROL OSTROW AND THE ACTORS’ TEMPLE BOARD OF DIRECTORS are celebrating their 103rd year with a Fall Benefit for the temple, MARK WILLIAM, COME CROON WITH ME. Mark William, an incredibly talented young singer and dancer who frequently appears on New York stages, will be performing in the beautiful shul on 47th Street. The benefit will take place on Monday, Novemer 18, 2019 from 7:30pm-10:00pm in their very own recently renovated sanctuary located at 339 West 47th Street, NYC. $75 tickets are now on sale at www.theactorstemple.org/events.
Putting his own unique, youthful spin on golden age crooner styling, Williams performs a collection of classic tunes from Broadway and The Great American Songbook. With his glossy approach, he glides from Jerry Herman to Peter Allen to Henry Mancini with charismatic ease and a spring in his step. Both critics and audiences are over the moon for Mark William. Theatre Pizzazz said “Mark William is the epitome of panache, adding his own brand of pizzazz. Whatever that ‘it’ is, he’s got IT!” and Times Square Chronicles called him “The newest star rising in the heavens of cabaret and musical theatre.” Tony-winning lyricist Lynn Ahrens calls him “Baby Sinatra” and John Lloyd Young, the original, Tony-winning Frankie Valli in Jersey Boys, says he is “Golden-Age Hollywood Reborn. Clint Edwards is the music director and Preston & Richard Ridge are co-directors. MARK WILLIAM, COME CROON WITH ME is Monday, November 18, 2019 at 7:30 pm-10:00 pm Tickets are $75 including refreshments served in the newly renovated lower level, are now available online at www.theactorstemple.org/events or by calling 917-359-1249. 2.5 hours Website: www.theactorstemple.org
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 TARGET MARGIN THEATER in association with META-PHYS ED are pleased to announce the upoming production of THE TALMUD, directed by Jesse Freedman. THE TALMUD will play a three-week limited engagement at THE DOXSEE @ Target Margin Theater (232 52nd Street, Sunset Park, Brooklyn). Performances begin Thursday, September 12 and continue through Saturday, September 28. Opening Night is Saturday, September 14 (8 p.m.). P $20-$25 tickets will be available at http://www.targetmargin.org/talmud/
Based on The Talmud and Kung-Fu films, Meta-Phys Ed.'s THE TALMUD is a genre-bending performance that draws from a century of Chinese martial arts cinema, and, a single chapter of The Talmud-a 5th century text of Rabbinic Judaism. Featuring innovative production design, live Kung-Fu movie cinematography and choreographed Talmudic debate, THE TALMUD is a confounding exploration of sacred wisdom and how ancient traditions survive the dangerous journey across generations. The production stars Lucie Allouche, Abrielle Kuo, Eli M. Schoenfeld, Jae Woo and Lu Liu on Pipa. The production features compostions by Avi Amon, pipa compostions by Lu Liu & Avi Amon, scenic design by Kyu Shin, projection design by Lacey Erb, costume design by Karen Boyer, and lighting design by Yi-Chung Chen. Eamon Goodman is the sound designer, Gil Sperling designed the original video concepts and Joanne Au is the stage manager. THE TALMUD plays the following regular schedule through Saturday, September 28: Thursday, September 12, 2019 8pm Friday, September 13, 2019 8pm Saturday, September 14, 2019 8pm - Opening Night Sunday, September 15, 2019 3pm Thursday, September 19, 2019 8pm Friday, September 20, 2019 8pm Saturday, September 21, 2019 8pm Sunday, September 22, 2019 3pm Wednesday, September 25, 2019 8pm Thursday, September 26, 2019 8pm Friday, September 27, 2019 8pm Saturday, September 28, 2019 8pm Tickets are $20-25 (on a siding scale) and are now available online at http://www.targetmargin.org/talmud/ or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performances. Running Time: 75 minutes Website: https://www.meta-physed.com/the-talmund or http://www.targetmargin.org/talmud/ The Talmud was developed thru the Target Margin Artist Residence, and the Exponential Theater Festival.  La MaMa in Association with the Obie award-winning Theatre Three Collaborative proudly presents the new cli-fi eco-feminist fable OTHER THAN WE, written and directed by Karen Malpede. Other Than We will play a two-week limited engagement at The Downstairs at La MaMa (66 E 4th St, New York, NY 10003). Performances begin Thursday, November 21st and continue through Sunday, December 1st, 2019. Opening Night is Saturday, Nov 23rd at 7:00pm. $25 tickets at http://lamama.org/other-than-we/.
A Cli-fi fable with music that moves from a dystopian reality to astonishing hope. Other Than We is a futurist adventure in which four scientists risk their lives to create new life on earth. Two women lovers, an obstetrician and a neuroscientist, concoct a daring plan with a refugee physician from Africa, and kidnap an elderly inquist to assist. Other Than We is an ecofeminist fable that weaves a daring response to the climate crisis. "A pioneering and brave effort by playwright and director Karen Malpede to use theater to explore the clashing passions around human-driven global warming and our fossil fuel fixation." -Andrew Revkin for The New York Times (in regards to Extreme Whether) “Karen Malpede imagines a better world” - Brad Rothbart interviews Karen Malpede for American Theatre Magazine (in regards to The Bee Keeper’s Daughter) With scenic design by Obie award-winner Donald Eastman, costume design by Excellence in Theater Tony Award winner Sally Ann Parsons, lighting design by Bessie award-winner Tony Giovannetti, sound and music design by Arthur Rosen, and movement by Beth Graczyk. The production stage manager is Alex Williamson, and Carisa Kelly is the associate costume designer. Other Than We plays the following performances only: Thu, Nov 21st at 7:00pm Fri, Nov 22nd at 7:00pm Sat, Nov 23 at 7:00pm Sun, Nov 24 at 3:00pm Mon, Nov 25th at 7:00pm Fri, Nov 29th at 7:00pm Sat, Nov 30th at 7:00pm Sun, Dec 1st at 3:00pm Tickets are $25 ($20 Students) and are now available online at http://lamama.org/other-than-we/ or by calling 212-352-3101. Tickets may also be purchased in-person at the venue 30 minutes prior to show time. Running Time: One hour and 45 minutes with no intermission Website: www.theaterthreecollaborative.org/other-than-we or http://lamama.org/other-than-we/ Other Than We will be published in an acting edition and in an international anthology of plays by Laertes Books and will be the only North American play in the collection: Department of Dreams, Recent Dystopian Plays from Across the World (with work by Jeton Neziraj, Ebru Nihan Celkan, Karen Malpede, among others). Read Karen Malpede’s Howlround Article on “The Necessity of a New Green Federal Theatre Project"  NEW YORK MUSICAL FESTIVAL and LLHPOKONA PRODUCTIONS are pleased to announce the concert of Nicolette Blount’s SAVAGE THE MUSICAL, with co-book by Lindel Hart and co-composer/co-lyrics by John Waynelovich, musical direction by Kevin Lynch and directed by Rachel Klein. SAVAGE THE MUSICAL will play two concerts only at the Laurie Beechman Theatre (407 W 42nd St New York, NY 10036). Performances are Tuesday, July 9 at 9:30 p.m. and Sunday, July 14 at 1:00 p.m. Festival passes are now on sale, as are $29.50 individual tickets available at nymf.org.
SAVAGE THE MUSICAL is a dramatic musical inspired by the true story of 1920s Native American sharpshooter and silent film actress, Wanda Savage, as told through jazz and blues influenced pop music. Wanda was a renegade performer who shot her way through circuses, vaudeville and Hollywood before landing in a Wyoming brothel. Savage is as relevant today as it was 100 years ago – the story of a divorced single mother who fought racism, sexism and abuse to make a name for herself. Her thirst for fame came at a heavy price...losing the one she loved most. Told through pop music mixed with jazz and blues, SAVAGE THE MUSICAL is inspired by Nicolette Blount’s great Grandma, Wanda Savage, a true Chickasaw starlet. Wanda was not your typical Native American in the 1920s, she often wore pants (not the full native regalia) while other women were being thrown in jail for such behavior and her skin was lightened for her films. Wanda fought against years of misogyny and abuse, with husbands and men who took advantage of her, but also being a working woman at a time when this was atypical--Wanda made a choice to leave her children and find a job to support them. Daniel Barrett is the stage manager. Musicians include musical director Kevin Lynch on the piano, Joe Mankin on bass, and John Ferrari on the drums. SAVAGE THE MUSICAL performs the concert on the following dates: Tuesday, July 9 at 9:30 P.M. Sunday, July 14 at 1:00 P.M. Individual tickets are $29.50 and are available online at http://www.nymf.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance. Running Time: 90 minutes Website: savagethemusical.com Listen to the music: Take My Shot and Wanda Savage  NEW YORK MUSICAL FESTIVAL and OSCEOLA ARTS are pleased to announce the world premiere production of FLYING LESSONS, written and directed by Donald Rupe, with music and orchestrations by Cesar De La Rosa, music direction and orchestrations by Josh Ceballos, and additional orchestrations by Jason M. Bailey, as an Official Selection of the 2019 New York Musical Festival’s Next Link Project. FLYING LESSONS will play five performances only at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 W 42nd St, New York, NY 10036). Performances begin Monday, July 22 and continue through Sunday, July 28. Tickets are $35 and are available online at http://www.nymf.org/festival/2019-events/flying-lessons/.
In this charming family-friendly musical, Isabella is a young Latina whose teacher has just assigned the final project of her eighth-grade year: research a historical figure and write a paper about what made them great. Joined by her quirky friends, Isabella has to decide who to study when she is visited in a dream by two unlikely companions: Amelia Earhart and Frederick Douglass. Over time, Isabella writes her own 'recipe for greatness' as she learns as much about herself as she does about history. FLYING LESSONS plays the following regular schedule through Sunday, July 28: Monday, July 22 at 8:00 p.m. Thursday, July 25 at 1:00 p.m. Saturday, July 27 at 1:00 p.m. and 5:00 p.m. Sunday, July 28 at 5:00 p.m. Tickets are $35 and are available online at http://www.nymf.org/festival/2019-events/flying-lessons/ or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance. Running Time: 90 Minutes Website: www.flyinglessonsthemusical.com or nymf.org/flyinglessons  NEW YORK MUSICAL FESTIVAL and LEAVING EDEN, LLC are pleased to announce the world premiere production of LEAVING EDEN, with book and lyrics by Jenny Waxman, music by Ben Page, additional music by Ada Westfall, and directed by James Monaghan as an Official Selection of the 2019 New York Musical Festival’s Next Link Project. LEAVING EDEN will play five performances only at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 W 42nd St, New York, NY 10036). The festival runs July 8 - August 4, 2019, with specific dates for LEAVING EDEN forthcoming. Festival passes are now on sale, starting June 13, 2019, $35 individual tickets will be available at nymf.org.
In the beginning … God created man and woman, Adam and Lilith, he created them. Lilith has some questions, Adam has some rules, and in a modern metropolis, Eve must deal with a mess of her own creation. LEAVING EDEN is a punk-rock creation myth that asks: Is there wisdom in the Garden? And will we have to leave Eden to really know? The production stars Sarah-Anne Martinez (Molly in Peter and the Starcatcher at Festival 56) as Lilith, Janet Krupin (If/Then, Hands on a Hardbody) as Lily, Gabrielle McClinton (Chicago, Pippin) as Eve, Azudi Onyejekwe (The Great Comet, Violet) as Modern Adam, and Ian Ward (Gettin’ the Band Back Together, TV: Veronica Mars) as Ancient Adam. The production features scenic design by Alayna Klein, costume design by Whitney Locher, and lighting design by Amanda Clegg Lyon. Kimberly O’Laughlin is the sound designer, Jon Bleicher is the general manager, Daryl Eisenberg is the casting director, and Alexis Nalbandian is the stage manager. LEAVING EDEN will perform as part of the New York Musical Festival dates TBD. Individual tickets are $35 and will be available online on June 13 at http://www.nymf.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance. Website: leavingedenmusical.com  NEW YORK MUSICAL FESTIVAL and LADYSHIP, LLC are pleased to announce the world premiere production of Linda and Laura Good’s (from the acclaimed indie rock duo, The Twigs) musical LADYSHIP, directed by Samantha Saltzman (Matilda the Musical) as an Official Selection of the 2019 New York Musical Festival’s Next Link Project. LADYSHIP will play five performances only at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 W 42nd St, New York, NY 10036). The festival runs July 8 - August 4, 2019, with specific dates for LADYSHIP forthcoming. Festival passes are now on sale, starting June 13, 2019, $35 individual tickets will be available at nymf.org.
Teenage Irish sisters Alice and Mary, convicted of petty crimes and sentenced to journey to an unknown land, are forced to make the treacherous crossing from London to Australia in 1789. Based on true events, LADYSHIP is the harrowing story of the 25,000 women who would become the “mothers of Australia”, whether they wanted to be or not. With a contemporary alternative pop score, the story of LADYSHIP is all too familiar, whether in the 18th century or now — when given no say in their lives or the world around them women will always find their own voice. LADYSHIP will perform as part of the New York Musical Festival dates TBD. Individual tickets are $35 and will be available online on June 13 at http://www.nymf.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance. Website: https://ladyship.twigs.com  Technodramatists, a new theatre and technology company, are pleased to reveal their latest theatrical, artistic and storytelling experimentations. Part stage show, part interactive exhibition, TECHNODRAMATISTS PERFORMANCE LABORATORY is a three-week event showcasing technologically integrated theatre, music and interactive narrative art. The TECHNODRAMATISTS PERFORMANCE LABORATORY will be at TheaterLab (357 West 36th Street, 3rd Floor) from Thursday, June 6 through Saturday, June 22. Tickets are $21 and available at technodramatists.com.
Each night TECHNODRAMATISTS PERFORMANCE LABORATORY will feature a lineup of experimental musicians, augmented reality theatre performances and interactive storytelling exhibits. In between performances the audience is invited to enjoy food and drinks while immersing themselves in the various installations. The event will launch Technodramatists’ signature development: weARlive, the first augmented reality face-sync app specifically designed for live performance. The app will be featured in performances throughout the event and audience members will get a chance to try it out before and after the show. Performances include selected scenes from Error: A Comedy Of, currently in development. Actress Claire Tyers takes on all the roles in Shakespeare’s The Comedy of Errors, augmented with real time motion capture animations, which allow her to inhabit a different cartoon avatar for every character in the Bard’s hilarious tale of mistaken identity. With Kids Play by Reese Thompson, not-for-profit Recognize Theater uses the weARlive app to explore issues of gender and sexuality. Jenn, 13, wants two things from God: one, to be pretty, and two, for Andrea to be her BFF. When Andrea catches the attention of Jenn’s obnoxious step-brother, Derek, Jenn’s world is sent into a tailspin. Using the app’s face sync technology, the older actors will be appear on screen as pre-teens and seamlessly age over time to their mid-twenties, emphasizing the gap between our self-image and how the world sees us. The musical portion will be headlined by Sway, an autonomous musical processing system, created by multi-instrumentalist and composer Carl Testa. Each evening offers a one of a kind electro-acoustic performance with Testa playing the stand up bass as Sway’s processor analyzes the tone, density and amplitude of his performance and generates a dynamic musical collage that responds to changes in real-time. The event is produced by Technodramatists Artistic Director, Lorne Svarc, Supervising Producer, Brian Rardin, lighting/projections/set designed by Kris Stone and Stage Managed by Angelle Whavers. Error: A Comedy Of is directed by Noa Egozi, technical direction by Robert Lester, set and projections by Kris Stone. Kids Play is directed by Kristin Heckler with technical direction by Lorne Svarc. TECHNODRAMATISTS PERFORMANCE LABORATORY plays the following regular schedule through Saturday, June 22: Thursdays doors open at 7:30 p.m.; performance starts at 8:00 p.m. Fridays doors open at 7:30 p.m.; performance starts at 8:00 p.m. Saturdays doors open at 7:30 p.m.; performance starts at 8:00 p.m. Sundays doors open at 2:30 p.m.; performance starts at 3:00 p.m. Tickets are $21 and are now available online at www.technodramatists.com or by calling 1-866-811-4111. Tickets may also be purchased in-person at the TheaterLab ½ hour prior to performance. Running Time: 90 minutes Website: www.technodramatists.com Saturday, June 8: Female Identity in Extended Realities is a Technodramatists hosted Women in Tech and Design Symposium. After the performance there will be a discussion with a panel comprised of industry leaders in the fields of augmented and virtual reality, design and storytelling, discussing the opportunities emerging technologies provide to create more diverse, inclusive and dynamic worlds in new digital realms (with panelists attached to weARlive and their own avatars projected). The one-night event will benefit STEM from Dance a not-for-profit that uses dance to teach coding to underserved youth in NYC.  SEA DOG THEATER is pleased to announce the world premiere production of Chris Cragin-Day’s (Martin Luther on Trial) THE RARE BIOSPHERE, directed by award-winning Christopher Domig. THE RARE BIOSPHERE will play a 21 performance limited engagement at Calvary St. George's (61 Gramercy Park North, NY, NY 10010). Performances begin Thursday, April 25th and continue through Sunday, May 19. Opening Night is Sunday, April 28 (8 p.m.). Tickets are $30 at www.seadogtheater.org.
Press performances are on Friday, April 26th at 8 p.m.; Saturday, April 27th at 3 p.m. and 8 p.m.; and Sunday, April 28th at 8 p.m. (and any subsequent performance). Sophie, a Honduran-American teenager, comes home from high school to find that her parents have been deported. She immediately goes into bunker-down survival mode, trying to care for her younger siblings without raising suspicion and considering her next move. Her plan is complicated when Steven, a well-meaning friend, oblivious to the issues she’s facing, discovers and struggles to comprehend her situation. Sophie is an impressive student, a Dreamer, with plans to study Molecular Genetics and Microbiology at Duke University. She is fascinated with what is known as the “Rare Biosphere,” a term that refers to rare, previously overlooked, microbial species that play a crucial role in regulating Earth’s ecosystems. The play draws a parallel between our current immigration crisis with the beauty and necessity of diversity in our ecosystem, offering an unique underrepresented perspective into a broken system that many of us only experience through news reports. THE RARE BIOSPHERE is a timely, relevant, and powerful new play inspired by real-life immigration conflicts happening on a daily basis in this country. Given our current polarized political climate, it is easy to forget that behind these “political issues” are real people whose stories matter, and must be told. Sea Dog Theater, whose mission is to shine a light on stories of alienation and reconciliation, has the incredible opportunity to bring to life one such story with this world premiere. The production stars Natalia Plaza (Othello, The Davenport) as Sophie and Zac Owens as Steven. The production features scenic and lighting design by Guy De Lancey (Beautiful Day Without You, Origin Theater), and costume design by Emily White. Tye Hunt Fitzgerald (White Noise, The Public) is the sound designer and Harrison Corthell is the stage manager. THE RARE BIOSPHERE plays the following schedule: Wednesday at 8:00 p.m. Thursday at 8:00 p.m. Friday at 8:00 p.m. Saturday at 3:00 pm** and 8:00 p.m. * There is no Wednesday performance the first week. The only Sunday performances are Opening Night April 28 and Closing Night, Sunday May 19 at 8:00 p.m. Tickets are $30 ($20 student ticket) and are now available online at www.seadogtheater.org. Tickets may also be purchased in-person at the venue 30 minutes prior to show time. Call ahead for availability 646-463-0542. Running Time: 90 minutes Website: www.seadogtheater.org Media Kit **Sea Dog Theater will be sharing profits of three performances (Saturday Matinees) with three non-profit organizations whose mission is to aid immigrants. Mother to Mother Brooklyn (May 4th), FeLT NYC (May 11th), and Restoration Immigration Legal Aid (May 18th). |
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